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Culled from the Superhero Marathon, here is a list of my favorite 100. This list focuses on superheroes, crime fighters and costumed villains - not comic book movies in general such as Sin City, 300 or Road to Perdition.
Warning: Some of you will grumble after reading this!
And In the words of Wesley Gibson, "I'm sorry". But that will happen when your offering opinions. I hope this list is taken for what it is, a bit O' fun and that nobody will feel compelled to shout “It’s clobberin’ time!” after reading it.
Favorite non-contenders
There are a few movies either based on comics or they had a bit of that heroic vibe, that didn't quite fit the superhero movie mold. They will be seen here and there, without numerical rankings and italicized in blue.
The Super 100 will always be changing, as my opinion changes or with the release of new movies.
Missed the cut
The Condor, Underdog, Batman Forever, Qing Feng Xia (Green Hornet), Swamp Thing
#100 - Generation X
Before the X-Men movie, a band of Mutant students popped up on TV. I didn't like everything about this; there are many flaws including bad acting and budget constraints (which leaves the School rather empty). But I found it worth a watch. I liked the guy who plays Banshee (despite the bad accent) and it was nice to see one of my favorite characters, the naughty and sexy Emma Frost.
#99 - Superargo vs. the Faceless Giants
Not as smooth as "Superargo vs. Diabolicus", but this sequel to that Italian movie classic is still a joy. In this one, the super wrestler teams up with an Eastern Indian sidekick and takes on a mad scientists and his army of cyborgs.
#98 - Adventures of Captain Marvel
"Shazam!" Serial tells the origin of Captain Marvel and his subsequent adventures against a baddie named the Scorpion who is methodically murdering people to get his hands on an idol. Though my patience gets taxed by these serialized films -and the actor who plays a too old Billy Batson annoyed me- this isn't bad, there's some good action and it's funny to watch the hero kill some guys (I know that doesn't sound funny, but it is).
#97 - Return to the Batcave
Reunion movie for the 1966 Batman television show. Is one part biography, one part weird caper with Adam West and Burt Ward in pursuit of the stolen Batmobile. It's funny, off kilter, informative and surprisingly entertaining.
#96 - The Return of Captain Invincible
Warped musical that often goes over the top (and flops in the attempt). But when it focuses on the story of Alan Arkin's Captain Invincible. His stunning rise and subsequent fall from Grace and how he handles being called back into action to battle the evil Mr. Midnight (Christopher Lee) it's nothing short of great. Sadly, the humor has too many stupid puns, the Musical numbers feel out of place and sometimes it's just too damn strange for its own good. All of this keeps the Cap's flick from achieving super status.
#95 - Superguy: Behind the Cape
Proof that talent can make up for the lack of a budget: Superguy is a funny and sad VH-1 style documentary look at a real life superhero. Though I felt it got too depressing at the end, it does make a wise statement about the fickle and sometime dangerous nature of celebrity. The early scenes are the funniest, interviews with his dad are a riot. B-movie queen Katherine Victor (Wild World of Batwoman) plays his mother.
#94 - Batman and Mr. Freeze: Subzero
Nice premise, Freeze kidnaps Barbara Gordon in another scheme to save his wife. The opening sequence is excellent and Michael Ansara is perfect as Victor. But there's too much padding and many scenes are drawn out. It probably would have made for a great half hour episode.
#93 - Ben 10: Alien Swarm
Teenage Ben dials up aliens to transform into and with cousin Gwen, her boyfriend Kevin and Grandpa Max, does battle with a metallic Queen insect that is turning the whole world into zombies. This made for TV movie doesn't break new ground, but it is fast paced and entertaining
#92 - Spawn
Roger Ebert thought this was brilliant. I find it way too uneven. The FX bounces from great to stupid (Hell is so weakly rendered and the devil sports Tiki doll hair - Ooooh scary). The screenplay is pretty thin and some of the acting is hammy (Martin Sheen should be ashamed). On the plus side it does sport the funniest line in comic book movie history, when John Leguzamo's clown happens upon some slow witted Satanists he complains, "How come God hogs all the good followers and we get stuck with the retards!?"
#91 - Fantastic Four (Extended Cut)
The theatrical version was hacked to pieces, this one has way too much left in but is a vast improvement simply because we see more of the Thing. Fleshing out his developing relationship with Alicia and his growing disenchantment with Reed makes for a much smoother flowing tale. It's still not a work of genius because Tim Story's a weak director but it does capture the comics feeling that this is a family (with squabbles and all) and that they were beloved by the people of New York.
#90 - Star Black
Alan Moore explored what defined a superhero with his brilliant "League of Extraordinary Gentlemen" (which became a crappy movie you wont see on this list). What constitutes a super crime-fighting hero? Well you could argue that folks like Xena and Zorro would qualify, as would this western masked man. Star Black is dressed all in black, head to toe and always leaves his calling card, a black sheriffs badge, after he takes down a villain. This Spaghetti western has some unintended laughs (the way SB is able to jump out of the way of bullets) but tells a pretty interesting story, is well acted and is marked by sharp cinematography. S.B. doesn't hesitate to kill and even lets a victim take their revenge, making him a kind of a Punisher of the era
#89 - The Spirit (87)
Will Einser wasn't a fan of this TV pilot movie; still, while it has weak spots (the modern setting), I thought it was entertaining and funny. Lifted by a solid cast -with Sam Jones and Nana Visitor as Denny and Ellen- and a screenplay that plays it closer to the source material than the 2008 version.
#88 - Batman Returns
Batman seems to have been plopped in the middle of this Tim Burton film, he's barely the star of his own movie. BR has too much weird camp (the army of penguins) and awful scenery chewing (Danny Devito as the Penguin) and I would never watch this flick ever again except for one major pleasure... Michelle Pfeiffer's Catwoman - Sexy, skewed and dangerous, Catwoman makes this movie worth watching. I wish Warner's would have jumped on this immediately and filmed that long talked of Pfeiffer film; perhaps it would have spared us the pain of the Halle Berry version.
#87 - F4: Rise of the Silver Surfer
Movie flows a little better than the first F4 feature. But everything Mike Nelson said in his Rafftrax commentary about the lack of logic and the sudden inappropriate -momentum killing- use of humor all rings true and echoes my own sentiments. But the one character Tim Story wouldn't dare to mess with was the dignified Silver Surfer. He's one of Marvel's sharpest superdudes and he's the thing that makes this picture enjoyable for me.
#86 - The Masked Prosecutor
Herman Yau directs this film about a trench coat wearing vigilante who canes criminals that beat the justice system. Not much of a superhero film (though the shifting mask was comic book cool) Good acting and a the underlying theme of morality and loyalty add texture, making this more than merely a Hong Kong riff on the Punisher..
Lara Croft: Tomb Raider & The Cradle of Life
Neither is an amazing movie but both provide hours of solid entertainment. Angelina Jolie embodies the fierce independent spirit that the best female action hero's should posses. These mystical, archeological adventures feed off the Indiana Jones vibe, though Croft comes off more the comic book figure.
#85 - Sidekick
This Canadian production was shot on digital video so it looks like what it is, a low budget Indie film. It is also a very well written story about a comic geek/I.T guy who discovers a co-workers secret power. He hopes by helping this guy to fulfill his destiny as a hero, that he can ride on his coat tails as his sidekick. But things don't go according to plan. This is dark (but there are laughs)
#84 - Batman Gotham Knight
I find this 6-story anthology a bit dry, but the production bears the sheen of professionalism - the animation is slick (though I'm not fond of the balloon animal appendages in "Have I Got A Story For You"). My favorite piece in both art and story is "Working Through the Pain" written by Brian Azzarello. I also enjoyed the David Goyer penned "In Darkness Dwells" (with Killer Croc and Scarecrow) and "Deadshot". The weakest was "Field Test". There are threads connecting one story to another, as well as threads to Nolan's Batman Begins and The Dark Knight.
#83 - Comic Book: The Movie
Not a crime fighter flick - Mark Hamill wrote and directed (and did some of the artwork) on this mockumentary about a superfan who is brought in to consult on a new superhero movie. Most of the action takes place at the San Diego Comiccon and while it does drag at times, it is very funny and features loads of voice acting talent as its stars (including the guy who does the voice of Fry on Futurama). Hamill is great and has great affection for the source material. It might be better suited for us geeks as there are many inside jokes etc. The DVD is packed with interesting extras and features a fun commentary track.
#82 - Flashman
Though it's about an Englishman, it was the Italians who produced “Flashman”. The movie is influenced by the Batman TV series, though it never delivers the same eye winking level of camp and is played a little straighter. This groovy flick concerns an ultra rich superhero (with butler) and his swinging Mod sister, who takes on a couple of thieves; one of whom can turn invisible. Not perfect and not as well executed as Italy's better comic book flicks from the 60s, Flashman still manages to be an enjoyable caper.
#81 - Doctor Strange
Not the direct to DVD cartoon but a very dry made for TV movie. While not everything follows suit with the comics, overall it's a well-told tale and the acting is very good. The lead actress can also be seen as Dorie in "Sledge Hammer" (she was also once married to Michael Crichton and co wrote the screenplay to "Twister")
#80 - Hellboy Animated: Sword of Storms
The cast of the live action films gives voice to their characters here. The animation is serviceable; there are many freaky and scary figures throughout. The designs are solid and many of the backgrounds painterly. Most folks like the 2nd animated film better, but I prefer this one, perhaps because I'm into Japanese folklore.
#79 - The Incredible Hulk (2008)
Director Louis Leterrier (The Transporter) knows action, and he does well with this and light comedy. When he tries to branch out into the romantic angles, the movie falters. I find it overall a flawed gem and I hate the grimy cinematography and the look of the too dirtied up Hulk. Aside from Liv Tyler's so/so turn as Betty, the acting is solid (Ed Norton, Tim Roth, William Hurt), though some of the dialog is laughable (Roth's "levels of weird" line). The action sequences are pulse pounding but I much prefer Ang Lee's smarter take.
#78 - Superman
I'm going to take heat ranking this so low, but I'm not a Superman fan and I hate Lex Luthor. So a Supes movie has got to be great if I'm going to like it. This one starts off wonderful: The scenes at Krypton with Marlon Brando. I also loved Clark discovering his powers. The early bits at the Daily Planet are good as well. But then it all goes in crapper for me. Gene "Lex" Hackman annoys as he spews ham-fisted humor (his henchmen bug me too) and it gets so corny (The heavy handed poem Lois recites while flying with Supes makes me hide my eyes in embarrassment.). Some people hail this as a classic, but for me, the first part is classic, the rest teeters between awful and 'm-eh.
Surrogates
Not a superhero flick but an entertaining and provocative sc-fi yarn based on a graphic novel. While it fails to live up to its full potential, it does touch upon the sociological/philosophical aspects of existing in a world where most everyone lives their lives through a physically perfect surrogate. It’s a dream, until a murder occurs and Bruce Willis, in the flesh, is called on to unravel the mystery behind it
#77 - Batman '66
There's some genuinely funny material in this brightly colored camp adventure and Adam West playing the Bat as a dead serious square is about as wonderful as wonderful can get. The show was a one trick pony and trying to expand it to a full-length feature isn't a complete success. I can only take so many POW! and BAM'S! and Robin's "Holy's" and Bats pulling something new and convenient out of utility belt for so long. Still, the flicks fun factor makes it worthy of a slot on the 100. Plus it is associated with many fond memories - like the sound of my late father’s infectious laughter over Batman’s struggles to get rid of a bomb.
#76 - The Golden Bat
Japan's first superhero in his first movie: The cackling, baton wielding protector of Earth battles a guy in a baggy felt costume. The movie is short, moves fast and though it is a bit repetitive. I've never laughed harder at a something that wasn't intended as a comedy. Great fun and it stars Sonny Chiba
#75 - Death of the Incredible Hulk
The 3rd and last made for TV movie was a fitting way to end the series. It ditches the recent run of superhero guest stars and tells a solid, sober story that is well acted and directed (by Bix), who passed away not long after. There's a touching reverence to be found, along with the action and intrigue.
#74 - Bloody Mallory
French flick about a red haired demon hunter and her colorful cohorts (Vena Cava, Talking Tina and Father Caras) who are sent out to save the Pope. Very quirky, irreverent and funny with a bit of heart thrown is to the mix. It was a blast, loads of fun. Think of it as a darker, off-center version of Buffy.
#73 - Superman Doomsday
Direct to DVD feature is too violent has some bad art (I hated Supes facial features), I didn't care for the Fortress of Solitude as a quasi Batcave and the story runs a little jagged here and there. But if it's pathos and romance you want, or some ass-kicking fight sequences, this animated film delivers boatloads of both.
#72 - M.A.N.T.I.S.
Sam Hamm (Batman) and Sam Raimi wrote this made for TV movie, the first to feature an African American superhero. Nice cast (Including Firefly's Gina Torres). Carl Lumbly is personable in the lead, playing a paralyzed man who dons an exoskeleton to fight crime. At times it's cheesy, but for the most part it's well written, paced & executed. Too bad the 2 Sams gave up creative control due to a conflict with the network when this became a series.
Underworld
The Seattle Times critic wrote that 5 minutes in you'll know whether your buying into the premise or not. I bought into it big time. Vampires and werewolves as seen in scientific rather than supernatural terms. The big draw? Kate Beckinsale is gorgeous and kick ass as the comic book-like Selene. And Bill Nighy, usually seen in comedies, was scary and commanding as Viktor. It's debatable whether this movie should be included in the superhero marathon (some comic book movie sites do), what's not up for debate is that Selene is super cool.
#71 - Special
Not a traditional superflick: An ordinary fellow with an ordinary life, who seeks the extra-ordinary in comic books, takes part in a clinical test. The drugs they give him make him believe he has super powers. This extremely well written, indie film is very funny but also very sad and at times, difficult to watch. Actor Michael Rapaport has never been better.
#70 – Kriminal
Nope, he’s no hero; he’s Diabolik's less effective and more sadistic comic book cousin. Globe spanning adventure sees master thief in skeleton tights in pursuit of diamonds, trailed by Inspector Milton of Scotland Yard. Directed by Umberto Lenzi and marked by top notched production values, Kriminal isn't as slick or as interesting as Diabolik, but offers enough entertaining pizazz to make it worth watching (Now, if they would simply release the sequel with English subs or dubs!)
#69 - Hancock
Tips the superhero archetype on its side, as Will Smith's hero is a drunken, uncouth a-hole. Jason Batman plays a PR man who tries to fix the heroes image and Charlize Theron is the PR mans wife who knows more about Hancock than she's telling. This tale of redemption is very funny at the first, before things get dark, violent and convoluted at the end. Despite this the movie was enjoyable.
#68 - The Batman Superman Movie
This is actually a couple of episodes from the animated TV series stitched together and sold via DVD as a feature length film. Clocking in at a mere 68 minutes, what it lacks in length it makes up for in action and intrigue. While super team-up books never were logical (how would superheroes find the time) they were rainy day fun and this take off on the “World's Finest” comic book is a blast. Not only do we get the first teaming of the Bruce Timm's Batman and Superman characters but also there's Lex and Joker as well as Mercy and Harley Quinn butting heads! The interaction between these duos is a delight.
#67 - The Heroic Trio
Miramax mangled the American release of director Johnny To's classic tale (though the picture was cleaned up and looks pretty) - If you can locate the Chinese cut do so. The amalgam of humor and violence can be tough to swallow (Children die, painfully) but the action is sharp and the story of 3 super martial artistic ladies (Invisible Woman (Michelle Yeoh), Wonder Woman and Thief Catcher) fighting an evil Eunuch wizard kept me glued to my seat
#66 - The Shadow
I enjoyed this even though the pacing moves like sludge, the story never completely catches fire, and the world-conquering villain is a petty murderer who’s easily dispatched. Alec Baldwin's laughter is more crazed than eerie as in the radio show. Never the less there are times -when the protagonist's eyes darken and he emerges from the shadows to strike fear in the criminal element- that we are given a taste of how cool this movie can be (and might have been if were it placed in more capable hands. Sadly, director Russell Mulcahy doesn't have mad skills and the long rumored Sam Raimi project is stuck in limbo). Oh and I love Jerry Goldsmith's score.
#65 - Spy Smasher
The best American serial. The story of the Nazi battling hero is marked by great stunt work and fight sequences, lead by pioneering stuntman Yakima Canutt. Chapter 1 was the best, most thrilling chapter in any serial. Fawcett (whose stable of heroes was folded into the DC universe) was also responsible for the creation of Captain Marvel.
#64 - Hulk Vs.
Lionsgate/Marvel's best-animated release (at this writing) is a tale of 2 battles. The one with Thor is okay but the segment with Wolverine shines. It has the better animation, voice work, story and fight. It's also funny as all get out due to the inclusion of Deadpool. Had this just been the Wolverine story, it would have ranked much higher.
#63 - Judex (1919 & 1963)
Often considered the first Superhero movie, Judex is a silent French serial that seems to have inspired Bob Kane. There's a secret lair, the lead character is mysterious, has a strict moral code and does what he does due to the death of a parent, his father. A faithful sidekick, his brother, aids him and he uses mind over muscle in his quest for justice. Some of it hasn't aged well and unlike modern super flicks the hero doesn't don tights and use his fists much. Judex has been remade twice, once in the 30s and then in 1963 by the director of the classic "Eyes Without A Face" - Neither has been released to DVD. Though I have seen the atmospheric '63 version and I enjoyed it even more than the original. This version is highlighted by some poetic camera work (The scene at the costume ball) and a sleek sexy performance by Francine Berge as the villainous femme fatale.
Bolt
Not much of a superhero story, but this animated film concerns a dog who believes he's got superpowers. He's the star of a hit TV show and when his person disappears he sets out to save her. The 3D was superb and the story, while treading on familiar ground (From the Truman Show to Toy Story) was entertaining family fare
#62 - Hellboy II: The Golden Army
While the general consensus is that this is better than the first, I can't follow the crowd. Yes it's bigger and the FX are sharper but sometimes it was too much, and at the start I felt it went overboard on the goofy cartoon humor. I also didn't care for the use of light fantasy (as opposed to the darker, lyrical fantasy employed in del Toro's masterpiece, "Pan's Labyrinth")
I loved the sequence with the elemental, and how the mob responds to Hellboy and how Liz defends him. Despite the vastness of the piece it still keeps its heart (Thank God) and that kept it grounded enough to hold my interest. In addition to Hellboy and Liz's relationship, there's a very sweet connection between Abe and a Princess. The fight at the end is very cool and it is a beautiful looking film - but I prefer the horror-based tone of the first Hellboy better.
#61 - Push
Oft compared to TVs "Heroes" but it felt more like Stephen Kings Firestarter to me. Dakota Fanning (a Watcher) and Chris Evans (a Mover) are stuck in the crossfire between two groups (one lead by a Pusher - Djimon Hounsou) who are after a woman on the run who holds the key to world domination. Atmospheric production, stylish direction, a nice complex twisting story and solid acting buoy this sci-fi action flick.
#60 – Batman: Year One
It’s more a Jim Gordon story than Batman - It runs a little dry and the animations static, but the art is good and the story is interesting. I wasn’t fond of Bruce Wayne’s voice, but Jim Gordon sounded spot on. Bryan Cranston gives the future commissioner a world-weary tone that fits this moody noir story to a T.
#59 - Fantastic Argoman
Sure it's brainless and the costume looks ridiculous. But this 60s Italian cheese about a mind controlling hero/thief who squares off against "Jenabelle: Queen of the World" (and her boxy robot), is an audacious B-Movie romp that I thoroughly enjoyed.
The guy loses his power for 6 hours if he has sex, I mean that's a hoot and a half. And speaking of sex: He plays this game with Jenabelle. She takes a bow and arrow and if she hits the target she wins a car and some jewels. If she fails (and he hits a target), she has to sleep with Argoman. Think about it, He's just stated that only losers sleep with him. Hell if he were James Bond, sex would have been the grand prize, not vice-a-versa. Delightfully daffy scenes like this made me roar with laughter.
#58 - Superargo vs. Diabolicus
An Italian/Spanish production from the late 60s that's a cross between James Bond, El Santo and Superman. It's about a wrestling champ who accidentally kills his friend in the ring. Tortured, he finds redemption as a masked secret agent sent out to foil the plans of a Goldfingeresque villain. Great score, slick production values (for a B-Movie) and a fast paced story make for a fine, fun, time waster.
#57 - Hero At Large
John Ritter stars as a struggling actor, whose latest gig is to dress up like a superhero to promote a new comic book based film. When he thwarts a crime while in costume, Captain Avenger fever sweeps the city. Though it lacks the slick production of a theatrical film (meaning, it feels more like a made for TV movie) its heart is in the right place and I was entertained. Plus the personable Ritter is outstanding as a sweet guy who believes in the good in people. Bert Convey is a slimy promoter who attempts to take advantage of the situation. Annie Archer is the cynical gal next door who is finally won over by Ritter's nice guy.
#56 - Supergirl
Call it my guilty pleasure if you will. The story is a weird acid trip, with Argo City (SG's home) a kind of hippy commune, and the villain is a bloody witch! The great Peter Cook has a part; Jimmy Olson from Superman is present. Helen Slater as Kara is about as expressive as Hugo, the little wooden doll, but there is a sweet naïveté about her that I enjoyed. Plus the wirework flying sequences when she first arrives on earth looked nice. I know it's not a cinematic masterpiece, but I love this wretched film anyway. lol
#55- Superman Returns
Bryan Singer needed to tighten things up early on. The exposition and introduction of the plot line and character study drag needlessly. But no one does cool super action better, and when Singer gets down to business Superman soars. The sequence when he attempts to save a crashing airplane and the bit where he gets shot in the eye, very sweet. The casting is a mixed bag. Kate Bosworth's Lois Lane is nondescript, Brandon Routh is good if a bit plastic at times in the lead and Kevin Spacey out does Hackman as his Lex is egotistical but with a real menace and a scary hint of madness in him.
#54 - The 3 Fantastic Supermen
I love the Italian comic book based films from the 60s and I wish more of them were available commercially (I'm dying to see "Fantabulous, Inc"). The movies usually involve anti-heroes and here it's 2 thieves who wear bulletproof costumes. They are employed by the FBI (and joined by an agent) to help stop a baddie who possesses a "Universal Reproducer". The action is frantic, acrobatic. There are fast paced chases, humor, loads of Bond like spy thrills but the villain is violent and cruel just to balance it all out. A true delight - though sadly only available in a poor looking bootleg.
#53 - Super Inframan
Silly Chinese cyborg-hero movie is a blast. It's goofy as hell but it's also a lot of fun. The action is tight and story moves at a clip and there's one bit where a plant guy burrows under the ground and into a lab and tosses scientists around like dolls. It reminded me of the operation scene in Spider-Man 2 and I wonder if Raimi was a fan of this flick?
Franklyn
Parallel worlds collide: Contemporary London, which is filled with several sad, lost people (a father searching for his son, a tortured artist, a hopeless romantic who hungers for love). The other, an alternate world called Meanwhile City, where a masked detective (Ryan Phillippe) hunts a fanatic who he believes killed a young girl that was under his protection. In this world it is mandatory to choose a religion. Clerics act as cops and the detective (a bit Rorschach like) is an outlaw as its only atheist. This challenging, though provoking movie isn’t for all tastes, but I liked the philosophical aspects and emotional impact it provided.
#52 - Justice League: Crisis on Two Earths
Character development and motivation takes a backseat to rock ‘em sock ‘em action. The fights are smartly choreographed (Wonder Woman vs Superwoman – both are strong but WW has the edge in technique), there’s humor, crisp brightly colored animated, and though some of the voice work is weak, James Woods steals the show as the cold existentialist psychopath, Owlman
#51 - Defendor
A great cast elevates this story of slow-witted man (Woody Harrelson) who dons a costume and scours the city for the evil Captain Industry. While there are funny elements, this isn't a comedy and can be rather dark - as well as moving at times. Kat Dennings (also wonderful) co-stars as a hooker who helps Defendor in his cause
#50 - Superman II: The Richard Donner Cut
The theatrical cut is riddled with too many stupidities, but this one panders to Donner, even at the expense of the film. Yeah I know Donner was screwed, but after a while the old guy got annoying (as seen in the DVD extras) and in an attempt to appease him they made some bad choices. Changing dialog (the scene when Supes first confronts the baddies at the Daily Planet) and keeping the reversal of time was a huge mistake. So the movie's still not definitive and if I had the ability I'd take both versions and make my own cut, but what we have gives a hint that this could have been one of the greatest superhero flicks ever. Brando's restored scenes are a wonder and the interaction between father and son was heartfelt.
#49 - Batman Beyond: Return of the Joker
I'm not that into futuristic Batman, I prefer Gothic to high-tech settings for this character. But it is the correct direction; Batman would have all the best toys and it's a nice touch that an aging Bruce Wayne is there as the new Bats mentor. The story moves at a clip, the Joker has never been more sadistic and scary in animated form (The flashback sequence is pure brilliance). There's intrigue and good character development and though I'm not fond of the voices of the new Bats or the new Commissioner Gordon. Wayne (Kevin Conroy) and Joker (Mark Hamill) are both as pitch perfect as ever. Oh and I liked Dee Dee: chicks in boots that kick ass are awesome, even in clown makeup and Rommel hats.
#48 - Punisher: War Zone
Much maligned by critics, it received some love from online reviewers and bloggers. Director Lexi Alexander delivers the best Punisher yet and Ray Stevenson nails Frank Castle. While the violence is disgusting, the action implausible and the acting cheesy, I dug this flick. The direction is solid, it moves at a brisk pace, features some laughs and it kept me entertained. It succeeds in being just what it was suppose to be... a big bloody over the top action packed comic book
#47 - Cutie Honey
If you can handle the sensory overload, this is a ton O' fun. Honey is phantasmagoric bubble gum colored Anime brought to life. Fast, funny, even the dubbed voices sound like the toons we get here in the States. The gal playing the title character is indeed a cutie and the villains are over the top delights. I especially liked the creepy Indigo Claw and the powerful Black Claw who has a microphone in his weapon so he can sing before a fight (his battles are accompanied by his own string section. LMAO) - And to add to the skewed feel of the piece, with a few of the baddies, men are played by women and vice a versa (hell, one guy -Golden Claw- even has breasts)
#46 – Danger Diabolik
This is groovy pop art that was smartly and stylishly directed by Mario Bava. Of the mod Italian comic book movies from the 60s, this was the best. Only Diabolik was a thief and though he does take down some thugs, I'm not sure he fits within the marathon's crime fighter mold. Still, it’s so good I reviewed it for the website and will include it here.
#45 - TMNT
I never dug the live action Turtle movies, never was into the TV show or comic books. But this animated feature was great. Each of the turtle's personalities is carefully defined (as opposed to the live action versions, who all melt together as wise cracking sk8er boiz), the story is well told and the animation (at least for the green foursome) is sharp (The fight in the rain is exceptionally staged and animated). No offense intended but the live action films are too childish for me; this version though strikes a more sober mature tone that I prefer (I know, they're crime fighting turtles, but you can still maintain some dignity and tell an intelligent story with these guys, and this movie proves it) P.S: The DVD extras/commentary are very informative and well worth a listen.
#44 - Justice League: The New Frontier
Here's one that I like more very time I watch it. Nice period piece based on the graphic novel by Darwyn Cooke, which focuses on the Green Lantern and tells of the Justice League before they became the Justice League. Wonderful retro art and voice work add to this thoughtful, politically charged adventure (but read the books, they are even better)
#43 - The Mask
This anti-hero's story is a brightly filmed Tex Avery cartoon in primary color. Jim Carrey does hyper well and that serves the Mask character, but he also has a sensitive side, and it's through Stanley Ipkiss that the movie finds depth and a heart. Cameron Diaz is a popular actress I've never liked very much but she's good here, and Milo the dog steals the show. The Cuban Pete dance number is a memorable highlight. BUT the studio didn’t want it and ordered that it be cut; they fought the director tooth and nail over it. Fortunately in screenings tests audiences ranked it as their favorite moment, the studio heads finally gave in.
#42 - Batman (1989)
Gothic sets and design create the sense of a city forever fixed in the 40s (notice how everyone wears hats for example). It's a dark, grimy place and a bat haunts it. That's Gotham City and Tim Burton does a good job of giving it atmosphere. Keaton is decent as Batman (Though I'm not fond of his Bruce Wayne as distracted eccentric) but it's Jack Nicholson's Joker that steals the show. The man is hilarious and over the top (without falling over the edge as Tommy Lee Jones does in BF). Negatives: Robert Wuhl, Prince, the scene at the Museum where they are gadding about to the music of Prince. It can drag: The scene at Vickie's apartment slows things down (there are a few great lines here, but Keaton is given the most asinine, pointless dialog). It doesn't quite get Batman right but it's a pretty damned good movie never the less.
Constantine
Keanu Reeves doesn't fit the role (He's not blonde, he's not a Brit, he doesn't look like Sting) but he didn't detract either. I like the story and the look of the piece. We've seen this plot line before (Prophecy) but I enjoyed it. Though Constantine was featured in Swamp Thing's comic, and Swamp Thing made this list - Constantine just didn't feel superhero-e enough.
#41 - Zebraman
From the director of "Ichi the Killer", this flick is significantly less violent and a lot more whimsical. It tells of a sad sack teacher who late at night dresses up like his favorite TV superhero. Soon he ventures out in costume and comes across villains from the TV show. This movie is funny as hell, wild. It features an army of silly green aliens. There are a few creepy scenes (The death of the Principal) and a nice mystery. But it all works because at heart they play it straight and don't treat the characters as something to belittle. There's a real sense of humanity and I really cared for the protagonist, his son and the family he befriends. Disc comes with subtitles (there are awkward translations) and a goofy, cartoon sounding dubbed version as well.
#40 - Krrish
Another foreign film, this time from India: And as with most Bollywood productions, it's heavy on the melodrama and romance and it takes time developing its characters and story. Krrish doesn't even don his mask until an hour and 45 minutes into it. Plus, as is the norm for these movies, there are several musical dance interludes, which really felt strange in a superhero flick. It won't tickle all tastes but I liked this 3-hour epic a lot.
This is a sequel to "Koi Mil Gaya", an ET type story where an alien bestows a simple man with great abilities; Krrish tells the tale of that man's son. The movie draws from U.S. films (The fight sequences often mirror those seen in the Matrix) but it's got a big budget and it shows. The cinematography is bright; the Direction is tight for a movie this long. The lead actress is gorgeous and the hero has one of the best bodies you'll ever see in superhero flick. Noted actor Naseruddin Shah (who played Captain Nemo in LXG) is exceptional as the insane bad guy.
#39 - X3: The Last Stand
Here's one that gets a bad rap but I've found it gets better with each viewing. It's not as cerebral as Singer's first two, but it captures the high octane, large-scale battles that you'd expect from the finale of a comic book story. It's pretty dark, there's lots of death and destruction. I loved the fight between Kitty Pryde and Juggernaut and the final scene between Jean and Logan at the end pulled at my heartstrings. The director stated that the success of the film hinged on that scene working, and it works brilliantly. "You would die for them?" - "No, for you. I'd die for you" - Cripes I feel a tear coming on just typing that.
#38 - Spiderman 3
SP3 has vocal fans, but it also receives a lot more flack than it deserves. Yes there is much angst and coincidences and it has too many storylines packed in it (Raimi had his story set, when on short notice, studios demanded he add Venom) but it captures the feel of a Stan Lee comic (The juxtaposition of the cheesy and the serious). The Sandman saga is my favorite (The scene when he first manifests himself is haunting, both FX and score add to the power of the scene) and at its core the story is about forgiveness, those who can't forgive are damned (Eddie Brock) those who do are redeemed. Conventional thought says that the 3rd films in a series are terrible (conveniently forgetting Goldfinger?) I think that's nonsense - As with X-3, I love these characters (well, aside from annoying MJ) and I love this movie.
#37 - Daredevil (Director's Cut)
The theatrical cut feels choppy and leans heavy on the romance. That's what Marvel and the studio wanted. What the director wanted was darker, seedier. In this version the romance takes a back seat to the Kingpin story, whose dirty fingers are all over the place, including a sub-plot with a character played by Coolio. The director was right. This Daredevil has the superior narrative flow.
Affleck is solid as Murdock . I love how the director and screenwriter show the hazards of being a superhero (Matt's bruised and battered body). This version still retains the poetic moments (The two sequences in the rain with Elektra - Though the scene where Matt stays with her, and then later when he asks her to stay and she refuses, is lost. And that was a nice contrast that I miss) the Evanescence music works beautifully and the fights are longer, better and brutal. It's not without flaws (The dialog is clunky for one) but there's more I like than dislike.
#36 - Green Lantern: First Flight
Though low in character development (Sinestro is a more fully realized figure than Hal Jordan) First Flight is high in plot and action. Nice art work, some memorable moments (the rings falling from the sky) and this exciting adventure is another win for DCs animated series of film.
#35 - X-Men Origins: Wolverine
A look at the life of my favorite mutant. There's a lot packed in here in both story and guest stars (from Deadpool to Gambit) but it never feels rushed nor does the lead character get shorted. It's not perfect, and the previous films do hem it in, but it's a hell of a ride with good character development and interplay
#33 – Thor
After nearly instigating a war with the Frost Giants, Odin banishes his brash son -the god of thunder- to Earth in order to learn humility. While some of the slap sticky humor got painful, and it goes on a bit too long (lingering on Earth) Thor was an entertaining adventure with characters I liked. The scenes on Asgard, while fewer, were my favorites.
#32 - The Specials
Hilarious mockumentary about the 6th or 7th greatest superhero team in the world: Low budget, its strength comes from the performances of its colorful cast (Including Rob Lowe and Thomas Hayden Church). The biggest laughs came from Church's speech to the team at the beginning of the film and the toy commercial at the end (U.S. Bill had me in tears, the guy was so protective of his secret ID that when his toy is unmasked he panics). The women fare even better with Deadly Girl and Nightbird two of my favs. Loads of fun but not for the kiddies as they drop more than a few expletives.
#32 - The Crow
Guided by a crow, a man returns from the dead to avenge the murder of himself and his fiancé. The movie has a cool Gothic/German expressionistic look to it. The subject matter can get oppressively dark but there's a hint of hope that peaks through in the message that "It can't rain all the time". Brandon Lee looks very good, I like the idea of a rock and roll hero, with guitar slung around his back. The villain is slimy, though sometimes a bit shrill. Despite a "by the numbers" narrative, this is an impressive looking film boosted by Brandon's performance.
#31 – Captain America: First Avenger
The first hour of the film, which focused on Steve Rogers's struggles and transformation into Captain America, was among the finest things seen in this genre. The rest of the tale is garden-variety action flick – not bad, but not up to what came before. Regardless, it's a good movie and features top notch acting from top to bottom (Chris Evans, Hugo Weaving, Hayley Attwell... to name 3). One thing director Joe Johnson does right is period pieces.
Wanted
While it's a terrible adaptation of the comic book, rated in and of itself I thought it was a kick in the pants! Wanted is slick, sick action with a clever (albeit obvious) plot twist. James McAvoy plays a hypochondriac who is recruited by a league of super assassins. His temptation and guide is Fox, played by Angelina Jolie. She's commanding, charismatic, sexy and smart and just might be the death of our protagonist. Morgan Freeman is calm and cold as the leader of this band of killers. Great ending.
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#30 - Batman: Under The Red Hood
Robin's murder sets off a chain of events that encircle Batman, Joker and a new vigilante name Red Hood. The film starts off good, and builds momentum as it goes, culminating in a stunning finish that is poignant, powerful and heartbreaking.
#29 - Wonder Woman
Animated feature is heavy on violent action but also works as a romantic comedy. It's an updated origin story, bolstered by great animation and sharp character design by Director Lauren Montgomery. Strangely, the guys do the best voice work here (Nathan Fillion, Alfred Molina and Oliver Platt).
#28 - Sky High
Utterly delightful look at a school populated by teen superheroes. The young actors are great, but the sparkling dialog and fun story is buoyed by some inspired casting in the secondary roles: Kurt Russell, Lynda Carter, Bruce Campbell, Cloris Leachman, Kevin McDonald and my favorite Dave Foley as Mr. Boy all make this enjoyable family film even better that it would have been without them.
#27 - Batman: Mystery of the Batwoman
and
#26 - Batman: Mask of the Phantasm
I enjoyed both of these equally and can't really figure which one I like best. Phantasm was the one shown in theaters. The picture seems a bit spotty and looks like it's overdue for a remastering (or maybe that was the animation) and sometimes the love story gets a bit too soapy, but it still tells a strong tale and digs into Bruce Wayne's past. Batwoman also has nice character touches but drives the action and intrigue more. The animation is tighter as well. Both are a hell of a lot of fun and nail the figure of Batman as dark knight detective much better than the Burton/Schumacher live-action films did.
#25 - Rocketeer
Dave Steven's blast from the past is faithfully (for the most part) adapted in this sadly forgotten classic. The casting is perfection (Jennifer Connelly, to name one, is always wonderful in films set in the 40s) and the flight sequences are sharp. This high adventure is an ode to serials like Commando Cody; the characters include Howard Hughes and a great villain who looks like Rondo Hatton.
#24 - Mystery Men
Directed by the guy who did the Taco Bell dog commercials and the screenwriter of Pluto Nash, that doesn't inspire much hope for the makings of a wonderful film. But great source material and a winning cast elevate this to something special. Each character has his or her; own quirky personality and style that brings them to life and makes me root for these lovable losers. And that's an ode to the actors, chief among them William H. Macy as the Shovler. Hank Azaria, Ben Stiller, Janeane Garofalo, Paul Reubens are a few of the other heroes who deliver the goods. Geoffrey Rush is the evil Casanova Frankenstein (best name in comics) and Greg Kinnear plays the egotistical superstar Captain Amazing. Loads of fun and lots of laughs are to be had.
#23 - The Phantom
Another period piece like the Rocketeer, the Phantom is one of the first superheroes seen in print, he even predates Superman. Billy Zane looks good as the "ghost who walks" and the film does well in capturing the innocence of a bygone age. I'm glad they didn't turn the Phantom into a dark brooding psychological mess and I'm glad that he uses his 45s only to shoot the weapons out of his enemy's hands.
The production is sumptuous. The lush greens of the forest, against the rich hues of the Phantom's garb are beautiful. A stunning waterfall, an effulgent sunlit beach-all of this composition creates a movie high in style. The film is a light, fun, popcorn adventure. If one can put the cynic in them aside for an hour and a half, they might enjoy their visit to a simpler time, when a hero was merely a man of inner strength and integrity who is compelled to do what is right because it's the right thing to do.
#22 – Iron Man 2
It's not as thematically strong as the first and the narrative is non-existent (it juggles too many subplots and can’t decide on the main premise). Regardless it manages to succeed as an entertaining superhero flick. I actually differ from critics who complained that the middle section sagged. I liked the character stuff and enjoyed the bits with Howard Stark. Though uneven, there's enough good drama, humor and action to make it worthy of praise.
#21 – All-Star Superman
Though episodic, All-Star is an imaginative, complex and thought provoking film that focuses on the death of Superman. The story has a lot of heart and spends as much time on the personalities as it does the action. In his last days the hero accomplishes great feats, attempts to tidy up his affairs and come to terms with friends, family and foes. He also reveals his secret to his great love - Lois, their interaction in particular, is touching. Of course there is an action packed finish, but it provides several left turns, which kept it fresh and unique.
#20 - Super
Subversive insanity from James Gunn (The Specials). Rainn Wilson plays a messed up loser who dons tights in order to save his wife from a drug kingpin. Aiding him is the sociopath Boltie (Ellen Page). The story mixes the spiritual and some truly heartfelt moments, with biting comedy and graphic violence. I found this controversial, low budget flick, a hilarious/sick, kick in the tail (or -wrench to the head – in this case)
#19 - Blade II
While I’m pushing the definition of ‘superhero’ with this selection, I couldn’t bring myself to leave it off the list. There's not much meat on this script; it's just a gooey, bloody, roller coaster thrill ride. Guillermo del Toro is like a kid in a toy store, he's obviously having tons o' fun coming up with the cool. With Ron Perlman and Danny John Jules (Red Dwarf's Cat). Blade II isn't deep but it is an exhilarating adventure and it kept my blood pumping from start to finish.
#18 - Dr. Horrible's Sing-Along Blog
Joss Whedon's short, 3 part Internet musical about the diabolical -but very human and in love with a gal named Penny- Dr. Horrible trying to gain entry into the "Evil League of Evil". Neil Patrick Harris is superb in the lead role (and he has a wonderful singing voice) he's joined by Nathan Fillion (Firefly) as a self-absorbed superhero named Captain Hammer. Funny, quirky and tuneful!
#17 - Darkman
A disfigured scientist strives to get his life back while getting even with the man who destroyed him: Sam Raimi has always had an impeccable eye for composition. He is a master storyteller and like Hitchcock, understands the camera like he was born with it (And keep an eye out for his homage to Hitch's "Psycho"). Yes his humor can get a bit slap sticky and his films often have a heavy melodrama to the dialog - but this fits with a comic book type movie.
The acting is brilliant; Francis McDormand and Liam Neeson (Darkman/Peyton Westlake) give a depth not seen in many movies of this ilk. And Larry Drake as bad guy Durant is cold, cruel and demented. There were a few sequels and a comic book, but nothing came close to matching the original.
Hollywoodland
Not a superhero movie, but a story about an actor who played one. "Hollywoodland" looks into the death of George Reeves who played Superman on film and TV, through the eyes of a down on his luck detective. The mystery has never been definitively solved (was it murder or suicide?) and this movie doesn't change that. But it does tell a compelling tale, captures the period nicely and unlike a lot of biographical type films, this one does a decent job of staying faithful to the truth (there are a few exceptions. I.E: George wasn't going on a wrestling circuit, but was planning on a series of exhibition matches with boxer Archie Moore, something he was thrilled about)
The acting is above board, Diane Lane as Reeves lover (they actually tone down her stalker like behavior in the film), Bob Hoskins as her husband, Adrien Brody is brilliant as the detective, and mock me all you want but Ben Affleck is wonderful as Reeves.
#16 - Hellboy
The coupe de grate of the production was the casting of Ron Perlman as Hellboy. He's got charisma and personality up the whazoo and it's his strength of character that drives the film. His humor, the pathos and thrills- the fate of the movie rests on Perlman's shoulders and he carries it well.
His performance at the end impressed me and the script served him well. Hellboy exercising his free will and denying his destiny was a powerful moment, but even better was the final scenes with Liz. I loved what he said to get her back. It fit the character perfectly as it was poignant but not soapy. His love is so strong he would fight through heaven and hell to save her. And that no one in the spirit world wants him coming down to do just that adds humor to a touching scene. This is a film that has improved over the years for me.
#15 - X-Men
In terms of the current comic book movie craze, this is the movie that got this wonderful ball rolling. The first X Men can get a bit static (there's a lot of scenes of folks standing around sick bay) but the premise is solid and the characters well thought out and interesting.
A tallish guy with a clean accent would seem the worst choice to play the rough -short in stature- Logan, but by God, Hugh Jackman nails it dead center. His Wolverine is the hub of the picture; he's a mysterious violent anti-hero who's funny as hell ("What do they call you, Wheels?")
#14 - Megamind
A frequently funny, but surprisingly well told story of a villain who is thrust into the role of hero. The question of destiny vs. choice, the yin/yang of the hero/villain relationship and a great cast of actors who bring depth to their characters, makes Megamind more than your usual Hollywood popcorn filler.
#13 - Watchmen
A stunning adaptation of the classic comic book - Snyder's take, while it stumbles a bit with its narrative, is a thematic and technical marvel (made better in the directors cut). It doesn't follow the book verbatim (and some of that is an improvement, as with ditching the finish with the squid) but the socio-political slant, and the dissecting of comic book archetypes remains. As do the strong cast of characters.
#12 - The Incredibles
A look at the mundane, everyday lives of super folks, banned from doing what they do best. There's not a wasted scene in Brad Bird's animated classic. Great voice work, art and story (a dash of James Bond was sprinkled throughout). DVD features some delightful extras. Catch the old school cartoon with commentary track by Mr. Incredible and Frozone. (I laughed my butt off).
#11 - Unbreakable
M. Knights most meticulous, detailed direction. It is a somber, slow paced story that explored the comic book mythos with intelligence and heart. The casting was stellar: Bruce Willis is boss in the lead but Samuel L. Jackson as the haunted Mr. Glass was Oscar worthy. This was a movie, like "Marnie" or "It's A Wonderful Life", that took a while to find its audience. It wasn't well received when it opened, but it has since built up a well-deserved fan base.
#10 - Hulk
While this cerebral take wont be for all tastes, it fits mine. I was impressed by Ang Lee’s meticulous direction and stylized camera work. Lee creates some off kilter pop art here. It’s brainy and trippy - resplendent in organic washes (plant life, water, sand) and intersecting panels. Talbot’s death scene or the bit before Bruce first turns into Hulk - which looks like a laser light show - I’ve only seen something like it within mainstream comics once in my lifetime, and it was with Jim Steranko’s work in the 60s. It too was cerebral pop art - an acid trip explosion of color and design.
Buoyed by a solid script and performances (Banner admitting that he likes it when he gives in to the anger was an unforgettable scene. Nolte as Bruce’s father is both scary and humorous. His rambling, disjointed -yet at times- inspired speeches, sound a lot like those I've heard from schizophrenics in psychology classes). I liked the psychology and power struggle between the fathers - the bittersweet love story (Jennifer Connelly as Betty can say so much with a single look). And the Hulk, though a little too bright green, is frightening in his power.
I'm moving to the step of my own drummer and will unequivocally state that I prefer this to the '08 re-launch. Hulk is not just one of my favorite flicks in this marathon; it's one of my all time favorite films of any genre.
#9 – Spider-Man
For me this still holds up strong. I enjoy origin stories and this one captures the spirit of the 1960s era comic book to perfection (with smart updates, like the organic web-shooters). But what Raimi does better than most with his origin tale, is pack it with action. There isn't merely one final battle between foes; rather Goblin and Spiderman square off several times during the course of the movie. Not only that, but Sam chose a great primary villain for Parker.
#8 - X2: X-Men United
Features a great story that moves more smoothly than the first, with fewer draggy sections. Again the acting is wonderful (I dug this Nightcrawler better than I did the comic book version and Brian Cox is an imposing villain). And the awesome fight sequences show Bryan Singer as a master of staging action. All this and Kelly Hu as Lady Deathstryke!
#7 – Kick-Ass
Offers entertainment that is violent, perverse, and funny - and provides a jolt of excitement. The film is both a love letter and a kick in the teeth to the genre - as the title character joins with a crazed father daughter dynamic duo to take down a mob boss and his costumed son. Top notched acting, slick direction and a biting script, all contribute to make this nasty film a whole lot of thrilling fun.
#6 - X-Men: First Class
Set in the 1960s, with a cool 007 vibe. Matthew Vaughn presents a smart, slick and mature look at the X-Men during their formative years. Mark by superb character interaction and sharp performances – James McAvoy is Professor X (a bit of a ladies man), Jennifer Lawrence brings youthful warmth and vulnerability to Mystique, and Michael Fassbinder (one of my favorite actors) makes Magneto a complex figure, both likable and haunted with a dangerous edge.
#5 - Iron Man
My boyhood favorite, and they do him justice. I.M. is drop dead funny, features great drama, a moral (about accountably) and some memorable action sequences. A superb cast lead by Robert Downey Jr. and Gwyneth Paltrow makes this an instant classic. So nice I saw it twice (on the same weekend) and many times more since it's release on DVD. While cracks will show up on films I view that many times, Iron Man only gets stronger – even the big battle at the end, once seen as a weakness, has become a tension filled strength
#4 - Batman Begins
Batman as he should be, the dark night ala Neal Adams & Denny O'Neil. The story is mature and smartly written. Each character helps shape Bruce into the man and hero he will become. I like the acting; the sets and the fights are unique (rather closed in and claustrophobic). But why this works better than previous live action Batman tales is that the filmmakers get me "feeling" this story and caring about these people. By showing Bruce and his father interact for example, it personalizes the loss when he and Bruce's mother are murdered. I feel it, it makes it real and human and that's why this out does all previous Batflicks.
#3 - Robocop
I know some folks will feel it doesn’t belong, but Frank Miller considered it the best superhero movie ever at the time of its release and I’m going along with Frank, as comic book elements are prevalent throughout. This ultra violent, ultra smart social satire is full of over the top moments. But what elevates this over other Verhoeven flicks is that touch of humanity. Police officer Murphy- now transformed into programmed cyborg- returns home and images of his past life start to filter in - that's real, painful and a heartfelt sequence.
#2 - The Dark Knight
Boy this was a toughie and I thought on it long and hard, and who knows I could change my mind and make it #1 next week (Like Iron Man, it only gets better every time I watch it). Grim, real and brutal (but with a ray of hope), Nolan drives his message like a hammer on the head but this Shakespearian-esque epic is a masterpiece of style and substance. Great acting across the board - Heath Ledger's vicious Joker takes on Batman for the soul of Gotham City. The true message though, is that only Gotham can save Gotham.
And that brings us to the greatest of all time!
#1 - Spiderman 2
Raimi captures the spirit of the Lee/Ditko era comic book to a T with the juxtaposition of the absurd and the serious. The tangled relationships and romance and drama and fights and laughter and pathos and the bright big colorful everything. It's all there packaged with some inspired camera work, a pitch perfect script (Michael Chabon adds much), nice score (I enjoy hearing the Goblin theme that pops in there). Alfred Molina is spot on, bringing much nuance to his portrayal of Dr. Octopus. Sam delivers the Stan Lee vibe, but also we get pure Raimi flourishes (The scary operation scene). It’s quintessential Spiderman but it's also arguably the quintessential superhero movie.
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